Through a practice that incorporates kinetic sculpture, assemblage and readymade, my work focuses on the relationship between bodies – both as living organisms and as entities – exploring the connection between space, materials and form, and its inherent narrative potential.

While being non-representational, the sculptures investigate aspects relating to the human being, and translate an interest in the play of forces, liminal spaces and organic dynamics, such as attraction, friction, exclusion, in a game of fluctuating weights that is a constant redefinition of balance.

The kinetic component evokes the playful action of a performer or a musician, and their awareness of the present time: here, now. It reminds us of the pivotal point between chaos and control, the tension between freedom and structure, destruction and order. The viewer is invited to look through a fictitious distorting mirror and recognise, in the pieces, creatures fluctuating between apparent stillness and motion, purpose and vaguery, questioning their direction, playing with and at times defeating the common denominator of gravity.

My approach to sculpture derives from a background combining human sciences, performance and martial arts, often looking for answers in the places where you would least expect them.